This picture illustrates the frog from “Super-Frog Saves Tokyo” by Haruki Murakami. The frog appears at Katagari’s door to give him a proposal because Tokyo is about to be destroyed. A reader can come to the conclusion that this frog is very dream-like and not actually there. This frog would symbolize an internal wish-fulfillment that Katigiri needed in order to comprehend his inner worth in the society he lived in. This huge frog eventually turns into worms and maggots and tells Katagiri that he played his role in his dreams (Murakami). The frog played the role of the superego, which he uses in order to do a good act in helping Japan justify his guilt in believing that he isn’t worthy.In this photo here, you can see a group of students analyzing the situation. This picture entails a woman as the test subject, as it shows she has passed and Freud is trying to prove something. In lecture one, it mentions that many doctors treated patients with hysteria differently compared to patients with any physical sickness. ( Freud 2200) It also shows the woman being raised off the bed, showing the assertiveness of these experiments and how brutal hysteria actually was. A group of men seeing a female being used in an experiment showed how doctors worked back then to gain research. Additionally, this was one of the first photos we analyzed in the content class, and I believe this photo was a great way to branch into Freud’s lectures.
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